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The Ghosts of University of Toronto Past
| Katie Trottier
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Suspiria 2018
In Defense of The Remake | Storm Husbands
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Dracula Through The Ages
From a grotesque creature to a loving father | Ricardo González Sierra
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Time Loops and Media That Do It Best
| Misha Madahian
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“Yeah, I like goth chicks,” Says Man Who Works in Finance
The Sexualization and Dilution of Alternative Culture in Media | Eleni Koumoundouros
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Homer? I Hardly Know Her
A Review of Christopher Nolan’s Odyssey | Nava Medikonda
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“You Are Not Alone”
On Loving Sally Rooney’s Characters | Sara Schmidt
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An Unusual Meet Cute
Where Fictional Romance Meets More Fictional Romance | Mackenzie Saleh
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Avengers Endgame: Marvel’s Generational Flop
A flop almost as shocking as Black Widow’s. | Krystyna McMullan
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Ants Under a Glass: Bugonia Lets Things Loose!
Yorgos Lanthimos asks an alienating question | Lauren Sarney
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An Archive Upstairs
Inside the Toronto Zine Library | Lucia Harley
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Stranger Things:
The Show That Turned the Internet Upside Down! | Katie Trottier
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Kinship and Chemistry in SMC’s Little Women
The Troubadours bring the March Family to Life and Close Together | Lauren Sarney
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Finding Myself in Literature
J.D. Salinger’s Tale of Isolation and Growing Up Perpetually Captures | Ashley Thorpe
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How Rosalía Restores My Faith in Music
Rosalía’s Fourth Album LUX, Was Designed to be Human in a World of AI Creation | Beatrice Poblete
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The Modern Prometheus, Indeed
Guillermo del Toro’s Frankenstein in Contemporary Canadian Culture | Roya Alisultanova
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Frankenstein and His Many Faces
Sara Schmidt
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The Mike Might be Dead, But the Book Sale Sure Isn’t
Finding Out What Keeps The Heart of the Kelly Library Book Sale Beating Year After Year | Lizzie Federico